Here you can download wiley treddin on thin ice shared files treadin 2004 mediafire letra e muacutesica para ouvir intro ill be treading iceright about verse 1 yoampnbsp., Treddinamp39 on thin ice wikipedia Treddinamp39 on thin ice is the debut album by uk grime artist wiley released on xl recordings. Before requesting an album check the search feature to make sure someone hasnamp39tampnbsp. Links to folders instead of zip or rar files will be deleted. Treddin on thin ice wiley 2004 a grand don t come for free the streets 2004ampnbsp.

Playtime is over wiley 2007 london town kano 2007 maths english dizzee. Dizzee rascal is back with a new album music video once upon a grime. Playtime 225 06.ġ0 top forum essential grime albums grime Click here to get file. Before requesting an album, check the search feature to make sure someone hasn't. Listen to this and millions more tracks online. Ceasing to make beats, however, would be some bad news.Playtime Is Over Wiley Rar Average ratng: 4,2/5 6027votesĭownload Playtime Is Over by Wiley at Juno Download.

If he should fade into the background and never record his voice again, so be it - he has never been technically adept and relies on character and the sound of his singular voice. The small clutch of relatively sensitive tracks, all of which are structurally solid, indicate that he has no problem branching out, and maybe he's even capable of doing an entire album of straight R&B (provided he avoids the vocal booth) 'Come Lay with Me' is 21st century Loose Ends, glistening and swelling with romantic bliss, sounding nothing like a track made in a studio dubbed the Igloo. The extra force helps bear a set of verses that is packed with self-assertive bluster, and though you can tell the self-proclaimed 'Godfather of Grime' still doesn't take himself too seriously, it's good to hear him bulldoze through these tracks - especially since he declared well before the album's release that it would be his last as an MC, citing age, fatherhood, and apathy, as well as the fractious relationships and physical threats he has had to endure throughout the years. The sounds are steelier and sharper, also lacking the cartoonish qualities of borderline-novelty tracks like 'Pies,' 'Wot Do U Call It?,' and 'Goin' Mad.' Beats that bob and dart hit just a little harder than before, heard most effectively on 'Flyboy,' where percussive jolts sound like rubber balls ricocheting off walls of an oversized racquetball court. Across the album, there is not much advancement production-wise, yet there is just enough contrast that it does not make like Treddin' on More Thin Ice.

Lest we believe Wiley settled with Big Dada as a last resort, after leaving XL and finding some dissatisfaction with the self-released route, the producer/MC opens Playtime Is Over with '50/50,' in which he declares, over and over, that he has the best record deal, punctuating the track with '50.bumbaclot 50!' He also big ups Big Dada by name several times - probably several times more than any other MC who has been on the label.

Playtime is over wiley rar